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Sticky Postings
Hello RTE Friends,
Happy New Year! On behalf of everyone at RTE, we wish you and your family the very best for 2008!
I would like to provide an update on where RTE will be going in 2008. As you know from my last email, Renegade has been dealing with a serious financial crisis, but thanks to your generosity, we have been able to cover our expenses and have established a modest financial reserve to help us move into 2008.
The board and staff of RTE met at the end of 2007 to review our current state and chart a course for keeping the Experiment alive in 2008. Unfortunately, it became necessary to make some crucial decisions. The good news is that the Experiment will continue, but changes are required.
One of our decisions was the cancellation of our production of THIS IS HOW IT GOES, which was slated to open on the 25th of this month. We realized that we did not have the resources necessary to successfully stage this production and do justice to Neil LaBute's brilliant script. While this was a difficult decision, we know that it was the right one to ensure a future for our company. We still plan to stage this show, but at a later date. For our 2007 Season Pass holders, we will happily honor your passes at any of our productions next season.
In order to focus on bringing the very best Renegade experience to the stage, we have restructured our season format. In the past, we have produced four shows in a season, but starting in September of 2008, we will slim our schedule down to three productions. We shall return to our Renegade roots and concentrate on bringing three exceptional, edgy productions to the stage.
Over the next nine months, we will devote our energies on exposing more like-minded Renegades to the Experiment and deepening our audience base. Please continue to spread the word about our theatre company and proudly let folks know that you are a Renegade. In addition, we are always looking for help in achieving our mission and welcome any ideas you have for helping RTE flourish.
We are thrilled that all of us will continue our exploration with the Experiment in 2008 and truly appreciate all of the support we have received from you. Should you not have had the chance to make a donation, it is never too late. You can make a 2008 tax deductible donation now by going to www.renegadetheatre.com/support.
Thank you again Renegades and we look forward to seeing you in September!
Should you have any questions, feel free to contact me.
Regards,
Sean C. Murphy
Artistic Director
Renegade Theatre Experiment
Monday, November 19. 2007
Hello RTE Friends,
By now, those of you on our snail mail list have most likely received the letter from our Board asking for your assistance. Should you have not received this letter, you can read it on our blog at www.renegadetheatre.com/blog. To follow up on the letter, and bring those on our email list who made not have received it into the loop, I wanted to update you on the status of RTE and the financial crisis we are facing.
Since 2001, Renegade Theatre Experiment has been producing theatre of a different sort in the South Bay. Rather than pursue the path of more traditional theatrical material, we chose to follow the one less traveled. We committed ourselves to forward-thinking performance. To building creative partnerships with aspiring and established artists to bring edgy, unique, outstanding theatre to the Bay Area. Rather than focus on works that would bring us financial reward, we focused more on works that would stimulate and challenge our Renegade community of patrons and artists. All along the way, you have been there as an active member in this Experiment.
Going into this season, we made a conscious decision to invest a portion our financial security reserve into improving our production quality through increasing our production budgets and compensation for our talented artists. We believe now, as we did then, that this was the right decision to make for RTE.
Unfortunately, a number of unexpected factors affected us. We failed to secure a grant from the city of San Jose that we have received the past several years and our first two shows experienced lower than anticipated attendance. While we always strive to create a theatrical experience that everyone will appreciate, as can be case with newer, edgier works, not every experience is for every patron. And, try as we might to consistently produce high quality theatre, we will sometime miss the mark artistically, as was the case with NOAH JOHNSON.
Because of these factors, we have depleted our reserve and our bank account is nearing zero. To attempt to overcome our financial situation, we now turn to you, the Renegade community. In order to cover the expenses of our last two shows of this season and begin pre-production work for next season, we need to secure $25,000. This is an incredibly daunting deficit, but were every member of this email list to donate $150, we would be able to cover these expenses. Obviously, the greater the donations, the better stability we establish for Renegade, but donations of any amount are welcome and appreciated!
Please make your tax deductible donation now by going to www.renegadetheatre.com/support.
While things appear grim, the death knell has yet to sound for RTE and we remain both incredibly hopeful and diligently focused on getting us through this tough time. Thank you, Renegades, for your past and continued support. Together, we will overcome these obstacles and keep the Experiment going.
Should you have any questions, feel free to contact me.
Regards,
Sean C. Murphy
Artistic Director
Renegade Theatre Experiment
Friday, November 16. 2007
As we get ready to head into our second weekend of WILEY AND THE HAIRY MAN, I wanted to check in to provide an update on how the show is going.
After weeks of hard work in rehearsal, we were finally able to bring the show before an audience. It is always difficult to gauge how the audience, especially the wee ones, will respond to the work we have done. I was especially concerned as I am the boogieman of the play and wondered how I would be received. Was I scary enough? Was I too scary? Would they laugh or cry? Not that I have much control over it, but these thoughts still rolled around in my head as we got ready to take the stage last Saturday.
Much to my relief, the audiences at every performance loved the show. I don’t think I am over stating this fact either. As is the case when participating in the audience of a show, they were at first tentative, but I could tell the kids were really taken with Wiley and Dog. They giggled and laughed at their antics. An incredibly vibrant energy ran through the house. When it came time for The Hairy Man to appear, the audience was ready. Out I came and the reaction was great! Hard to describe, but it was a mix of interest and fear. Kids would shirk back as I spoke to them, but would lean forward with interest when my focus was elsewhere. It was really a fun time.
Afterwards, we all go out into the lobby to greet everyone and thank them for coming. The kids were eager to see the Chorus, Mammy, Dog, and Wiley, but they still seemed leery of The Hairy Man. Every adult I spoke with really seemed to have a good time and it is a rewarding feeling to know that we hit the mark.
I am incredibly proud of this play as both an actor in it and the Artistic Director of the company. It moves quick and everyone gives their all to make this a truly magical experience. There are three more weekends before we close, so if you haven’t had a chance to come out and root for Wiley, you still have time.
You can get tickets now at www.renegadetheatre.com.tickets. You can also find our more about the show by reading Marianne Messina’s review in this week’s Metro.
See you at theatre!
Monday, November 12. 2007
Dear Friends of Renegade Theatre Experiment,
Thanks to those of you who have attended the first two shows of our 07-08 season. Critics and audiences gave mixed reviews to NOAH JOHNSON and better reviews of AMERICANA ABSURDUM. While disappointed with ticket sales to both shows, we stand by our decision to mount both of these plays, for both had timely and socially important messages, in the Renegade tradition.
Avant garde, edgy theatre may not always hit the mark or resonate with some audience members. We continue to believe, however, that RTE is vitally important, for we provide a creative environment to foster and develop new works and new artists that will benefit the community as a whole. Plus, artistic risk-taking exposes audiences to different worlds and stimulates thought and discussion.
As you may know, we failed to procure one of the bigger grants that we had received in the past, and truth be told, our bank accounts are nearing zero as we enter rehearsals and production preparation for our third show, WILEY AND THE HAIRY MAN.
So we turn to you with two simple requests. Please spread the word about RTE, and please consider underwriting this production and/or our fourth and crowning play this season, THIS IS HOW IT GOES, starring our own Aldo Billingslea.
$25 buys a gallon of stage paint
$100 buys a player his or her costume.
$200 will light an act.
$1,000 will construct a set.
We thank you kindly for your past support and count on you now to help us keep cutting edge theatre alive in the South Bay.
Regards,
The Board of Renegade Theatre Experiment
P.S. Come see WILEY! And then come see THIS IS HOW IT GOES!
Wednesday, October 31. 2007
Is there anybody out there?
It has been over a year since anyone has posted to the blog and I apologize for us letting this go stagnant. We experienced a lot of challenges in 2006 and 2007 that took our attention away from blogging.
Last year, Whitney, one of our founders and our Managing Director, needed to step away from RTE to focus on some personal matters. Whitney had helped lead this company since Day 1 and her absence had a profound impact on us. Even though she has relocated to Hawaii, she continues to be involved with the company as a Board Member Emeritus.
We were incredibly fortunate to have Christy step up to take over as our Managing Director, but there was naturally a transition period that took place for Christy to ramp up into the role. This is when we ceased blogging. Christy did an excellent job as Managing Director, but found out in the Spring that she was pregnant with her first child. This was great news, but also meant that she would need to step away from RTE to be a mom. This took place during the Summer of 2007. Christy, her husband Ryan, and their new daughter Calla are all doing great.
Once more we needed a Managing Director and our Production Manager, Cameron, accepted the call. Cameron is transitioning into the role, but doing a great job so far. We were also fortunate to have Jim and Derek step up to serve as our Production Managers for our current season.
A bigger challenge facing us right now is financial. We, as a company, made the decision to invest our financial reserve in this season to improve production quality and be able to increase the reimbursement to our talented artists. This was a gamble, but we believed a necessary one to continue to grow RTE. Unfortunately, audiences for our first two shows were dramatically smaller than we anticipated and we now face the fact that our financial situation has become critical. We will be sending a letter out to our patrons asking for help in keeping the Experiment alive, but it is vital to the survival of the company that our upcoming show, WILEY AND THE HAIRY MAN, does very well.
How can you help? If possible, please make a tax deductible donation to RTE. Any amount helps us in our survival. Additionally, please come see WILEY and bring 4 friends that have never come before. Spread the word!
So, there you have it. We should have kept communicating, but our bandwidth got sucked up by these challenges. All of us remained committed to the RTE's Mission and continue to believe in the importance of having a space for new works and new artists. This not only benefits the entire local artistic community, but also benefits our community at large as it exposes people to new thoughts, new ideas, and stimulates creative discussion. We know that not every show will resonate or hit the mark, but we continue to commit ourselves to producing the highest quality experience possible and bringing works with important themes to the stage.
We welcome any and all of your ideas for helping to grow our audience base and spreading the word about RTE. This is your theatre company as much as it is mine. Help us keep the Experiment alive!
And keep watching this space as we will once again commit ourselves to blogging and communicating with you Renegades. Talk to you soon!
Wednesday, October 4. 2006
I am incredibly proud with how BILL OF (W)RIGHTS turned out. This show presented many challenges for RTE and, at times, I was worried we would miss the mark in some regard. There were both technical, artistic, and business challenges that we faced. I am happy to say that this show turned out better than I could have imagined.
The artistic challenges started with the script, or shall I say scripts. As you now know, this work was comprised of ten vignettes by nine playwrights. The playwrights wrote their pieces with the common theme of examining the role of the Bill of Rights in our modern society, but it is my understanding that they did not actively collaborate with each other during the writing process. As a result of this, some of the pieces overlapped each other in tone, subject, and goal. We knew this play was going to push buttons. This was the most experimental play we have ever done. We broke down the 4th wall, we took out of the safety of a darkened theatre and made you move into worlds that were not terribly comforting. Again, rather than just being a spectator, you became an active participant. You had to consider what you were seeing as it could get in your face at any moment. Whether you thought the play was a piece of crap or that it was simply the best theatre you had ever witnessed was irrelevant. I believe the ultimate goal of this piece was to make you think. It achieved this goal by pushing us out of our comfort zone by presenting extreme examples of abuse to our Rights and forcing us to think about them. And think you did. I reached out to everyone that submitted a survey to thank them for coming and got lots of great feedback that ran the gamut from hating the experience to absolutely loving it. I think the best comment that summed up the success of the experiment came from our talkback session where a woman stated that she did not enjoy the experience. We made her incredibly uncomfortable by forcing her to move around the building and sit incredibly close to scenes, but she was glad she saw it and was going to recommend it to all of her friends.
This show also saw people demonstrating their individual thought by walking out. It seemed like we started during the second week of the run to start averaging at least one walk out a performance. These usually occurred at intermission. I only wished that I had the chance to talk with these folks to get their thoughts. Of course from a business perspective there is the concern that those folks will not return to the Experiment, but I hope that they will give us another try. If you were one of the folks that departed, I would love to hear your thoughts.
I think a lot of people were turned off by THE SACRAMENT, the scene involving the defrocked priest facing a man abused by the priest in his youth. As a Catholic, I am tired of seeing all priests get labeled as pedophiles, but the fact remains that several scumbags have damaged the credibility of the clergy. Even though this vignette was difficult to say the least, I am very proud of it as it brought the reality right into the lap of the audience. It is rather disconcerting when you watch someone get strangled two feet in front of you. Sure, I can say it is theatre and those are actors, but Jet and Jeff did such an amazing job that I forgotten that when we got to that moment. The reality is that these predators are out there practicing their sick "freedom of religion". But the reality also is that are several times more great men and women that have been besmirched by these wicked few. I am looking for a piece to portray the other side. Another woman at the talkback also mentioned that she would have preferred to have seen a piece that calls the American Catholic bishops on their inexcusable silence in moving these pedophiles around and never truly dealing with them. Difficult subjects with no easy answers and there will never be a way to satisfy everyone, but the truly great thing about theatre is that we can explore these topics by shining a spotlight on them.
So in the end, this was a powerful but of theatre. Was it subtle? Ummm, no. We definitely got clobbered with the sledgehammer when it came to it's message, but I believe it was still an important message to consider. Whether you are left, right, or somewhere in between, we should always be aware of what our rights mean to us and the dangers of losing our freedoms. With RTE, we are always trying something new and moving in different directions. But we will always remain committed to producing unique, edgy, quality theatre. We did this time.
Monday, October 2. 2006
It has been sometime since I have played in the blogosphere. A big thank you to Susannah who took over writing during BILL OF (W)RIGHTS. I really enjoyed reading about the production and getting those glimpses into the rehearsal process. Susannah really epitomizes the best of Renegade. She is someone incredibly passionate about the process and brings amazing insights to the table. A large part of the success of this production is due to her. She assembled an incredibly talented cast, even when we did not initially find people that fit her vision perfectly. It really became a case of good things come to those that wait. The whole casting process is really an art. We always have a great turnout of actors that could have created a hundred different productions and this is where the director plays such a crucial role. Susannah did a great job of looking at the chemistry of the players in conjunction with their skills and talents. I don’t envy her, as it was incredibly challenging to cast since actors were playing multiple roles. I highly recommend her as a director and look forward to our next chance to collaborate.
As we say goodbye to BILL, we say hello to SIDEWAYS STORIES FROM WAYSIDE SCHOOL. Once more, RTE is incredibly fortunate to have a talented director, Nichole Hamilton, at the helm of this twisted family show. Rehearsals have already begun and I believe we are entering week 3. I am looking forward to visiting rehearsals soon. You can look forward to seeing some familiar faces as we have four cast members from BILL in this show, as well as a cast member from last year’s family show, THE BFG and company member Rimma Dreyband, last seen in our production of THE DICE HOUSE.
The design team has also been meeting and has been coming up with some fantastic ideas. Our talented design team this around includes company members Jacqueline Steager designing lights, Courtney Flores designing costumes, Cameron Fabrick stage managing & designing props, and Derek Batoyon composing & designing sound. Returning from BILL’s design team is the mythical Fabean Mureron. I am really looking forward to bringing my kids to see the show.
I say kids because, as some of you know, we are expecting our second child, hence why I have been somewhat absent of late. As of this writing, our second child is two days overdue and we are hoping it decides to pop out soon. The great thing is that the RTE Board and Exec Staff has been doing a great job working on the marketing and production allowing me time to focus outside of Renegade. I am looking forward to this new addition and introducing the kid to RTE.
There have been other exciting developments, but more on that soon. Thank you again for your support and I look forward to seeing you at the theatre in November.
Tuesday, September 12. 2006
Well we did it. And with only two walkouts all weekend, a nice debate at the talkback, a standing ovation at the fundraiser, and some excellent conversations with audience memmbers, only two walkouts all weekend and I can now offically say we have not only succeded in our goal of making people think, we have gone beyond the expectations we set for ourselves. I would love to see the house full for at least one performance, this as we have said over and over, and as was reiterated by audience, an important piece. If we do not examine our rights, we risk abuseing them or having them taken away. T o say we have taken liberties in producing this would be an understatement. Reviews from the Metro and the Milpitas Post will be out Wednesday, a piece inthe Rose Garden Resident was great and Ron from Artsopolis may shoot some video for the site this week. (Speaking of which, if you saw the show, right a review on artsopois.com and get us in the top 10) Congratulations to all cast, crew, and support staff for helping to produce a project that I am very, very proud of. I know with the anniversary of September 11th, we may be a bit shy to see such an emotional piece this week, but all the more reason to examine and experience the experiment. Tell your friend, tell your neighbors, teachers, coworkers and enemies! Let's keep the buzz going....
Tuesday, September 5. 2006
As we have already discussed inthis forum, our main objective in producing Bill of(w)rights was to get people to react and to think. Pictures as well as sounds carry an enormous emotional power and in searching for images for our set and our slide show I have discovered some priceless images that elicit an immediate response. We have a touching history, and partcularly in the last decade with the widespread access to digital photography and the internet, we have a really amazing opportunity to see so many important events unfiltered through the eyes or our all important "liberal" but not neccessarily unbiased media. One such site I came across has pictures soldiers have taken in fulluja, and many of them are just fantastic not only from a photographic/artistic composition standpoint, but they come from a place of purpose. It's a "see what I see" Hamlet moment and you can hear the "why?" behind many of the images. Take a look and see if you can come up with words with the same weight that these photos do. http://www.fallujah.us/photos/ It occured to me during a rehearsal in discussing our "borders" and the isolationist course our country seems to be taking in some ways, that we really do have more access to education then ever before, and yet somehoe we remain uneducated in many respects. It's harder to compile, house and fund a paper library, but one computer in a school or home opens a world of information to you. It's easier than ever to obtain images, articles, definitions, and reconstruct histories within seconds of typing in a key word, and yet, we deny ourselves the experience more and more. The passion to travel to places and experience things first hand is diminishing. And maybe it's because we've started to get the idea, that it's not all good out there. That life is hard enough without the knowledge that we as humans take part in hypocracy and unjust behavior daily. The knowledge that what makes us great, also makes us capable of causing great pain, and a cause for many to dislike us. That this progress which should erase the borders and bring us closer toghether, is dividing us further, and ultimately will destroy us if we are not careful and proactive now in doing something. If a photo, taken by an ordinary soldier, can make 1 person see the "argument" from a unique angle...who's to say if we take enough photos, and seek out an equal number, that we can't enlighten the world one person at a time? Who's to say?
Tuesday, August 29. 2006
Some thoughts on the subject matter, the governing document responsible for the inspiration of this play, the Bill of Rights: I noticed something very odd. The number of times a negative (no, nor, neither, not) is used is extraordinarily high for a piece of text intending to grant FREEDOMS to people. 18 times these words appear. This carefully drafted piece took Thomas Jefferson and James Madison, along with other instrumental advocates 2 years to make “law. I find it very intriguing that people who had recently emancipated themselves from a monarchy were driven to draft such on oddly negative document. “Individualist” who after the constitution had already been ratified in 1789, found it necessary to go back and draft this Bill of Rights, which arguably details that which had been deemed unalienable by anyone who had heard John Locke philosophize. Seems more like the wording of the Ten Commandments than the ten amendments to me. But this was in fact intentional as I have discovered through some more research. “The Constitution was remarkable, but deeply flawed. For one thing, it did not include a specific declaration - or bill - of individual rights. It specified what the government could do but did not say what it could not do. For another, it did not apply to everyone. The "consent of the governed" meant propertied white men only.” And fascinating is it that even that early the delegates tried to be all inclusive, to apply these to AMERICANS. And isn’t it amazing how much more progress in that area still has got to be made? They left or attempted to leave nothing for interpretation and yet left everything up to possible interpretation. The old conundrum of how to give with out encouraging abuse. How to prevent the restriction of freedoms and protect ourselves from anarchy, chaos and those that by heinous acts should have these freedoms revoked? But is the constitution itself intended to be amended and change with the times? As long as these additions and amendments occur within “reason” and by following the checks and balances that it initially sets up was it really intended to be a living document or concrete unwaivering gospel? And for the record look at how we define that word Amendment: The act of changing for the better, improvement, a correction, or alteration. So why state the obvious? Why put into writing what should be automatic, natural, and fundamental? The inspiration and biggest supporter for this text, Thomas Jefferson had this to say: A bill of rights is what the people are entitled to against every government on earth, general or particular; and what no just government should refuse, or rest on inferences. I do not like... the omission of a bill of rights providing clearly and without the aid of sophisms for freedom of religion, freedom of the press, protection against standing armies, restriction against monopolies, the eternal and unremitting force of the habeas corpus laws, and trials by jury in all matters of fact triable by the laws of the land and not by the law of nations. It astonishes me to find... [that so many] of our countrymen... should be contented to live under a system which leaves to their governors the power of taking from them the trial by jury in civil cases, freedom of religion, freedom of the press, freedom of commerce, the habeas corpus laws, and of yoking them with a standing army. This is a degeneracy in the principles of liberty... which I [would not have expected for at least] four centuries. I hope, therefore, a bill of rights will be formed to guard the people against the federal government as they are already guarded against their State governments, in most instances Being an English and Drama major, I find I have always had a softspot for homonyms. Let’s examine wright, writes, and rights shall we? Wright- to construct or repair. Write- to express, communicate, trace or form, compose, transfer, to author, fill in the blank spaces of, to sell (as in stocks). Right- in accordance with what is good, proper or just, the opposite of left, fitting, appropriate, in good health/spirits, sound, sane, normal, convenient, a just claim, in accordance with fact, reason propriety, a blow delivered by the right hand, exactly, precisely, the complex of individuals or organized groups opposing change in a liberal direction, usually advocating maintenance of the established social, political, or economic order, sometimes by authoritarian means, to bring into conformity with fact, to redress a wrong. Interesting no? So with that in mind it could be said these written pieces by playwrights, on the topic of rights, aim to right wrongs, and question the resistance of the conservative Right to interpret rights as unchanging entities. Search for Bill of Rights on the net. You come up with some great stuff. There’s more where this came from….but for now…discuss…
Wednesday, August 23. 2006
While you are brushing up your Shakespeare for RTE's Titus Andronicus, try your hand at this little quiz. Amazing isn't it? I wager most of us, myself included of course, despite our enlightened upbringing, would be hard pressed to summarize the first ten amendments of our precious govening document without prompting. The last time I think I truly visited the text of the constitution prior to involvement with this project was 10th grade U.S. govenment class. 15 years ago. I've surely exercised my rights since then, but the words and the meaning behind them have gotten buried in journal entires on headline news we were required to keep during the first gulf war. And being on the west coast believe it or not, though it has the sterotype of being more imersed in modern politics than many other states, is at a disadvantage. We lack the phsycial exposure to some of the countrys greatest landmarks. While we are panning for gold, doing reports on Missions, visiting Nasa and hiking in the woods for our education (and I'm not mocking/knocking it) East coast kids are visiting the Liberty Bell, the Assembly Building, the Boston Harbor, Williamsburg, The Smithsonian, Mount Vernon, and Monitcello. If my mom hadn't grown up in Virginia and my Grandparents hadn't lived near DC I'm not sure I would know even as much as I do know. I have to say though, I know more about composte piles, the water cycle, and the life cycle of the banana slug than anyone I know. I once had a challenge with a college friend that for every fact about the early history of this country she could name, I could name a Native American tribe. We were about even. We exchanged a lot of information over more than a few cups of coffee. I hope this play reminds you (as it has me) of that which is at the core of our American civilization, that which is ignored in abundance, hyped to extremes, and in far too few cases, effectively put to use to promote a sentient country if not a world of true citizens.
So I had a lovely morning as I was driving to work listening to KFOG because there was this neat little segment on Theatre in the Bay Area and how companies are working to get butts in seats. They mainly focused on groups in SF, but I found it really interesting that there were other groups out there who were working to make theatre fun again. The main focus was on Thunderbird Theatre in SF and their artistic director began talking about how the people who don't go to theatre are usually people who went to theatre at a young age, saw something they disliked and stopped going. Now, I am not sure I completely agree, but I appreciate the sentiment. I feel that people who do not go to theatre are just not exposed to it. Even so, the ideas are similar in that we just want people to be exposed to theatre that will make them want to come back.
As I listened to the radio piece I thought about what Susannah said to the cast of BILL OF (W) RIGHTS last night after the designer run. She encouraged them (and the designers) to invite people to the show who would agree with the ideas and to also invite those who may disagree. I really like this because a play like BILL will offend some people, it will encourage others to change their ideas but most of all it will make people think. Anyone who comes to this show will have a reaction to it. It will cause people to re-evaluate their ideas on government and society. The cast and Susannah have done an amazing job of making each scene poignant and relatable. In getting audience memebers to see this that may or may not agree with the messages, we will be giving people the positive experience of seeing a work of art that makes them think.
I do agree that every theatre company should be striving to bring theatre to the masses. Theatre allows people to connect on a truly human level and not matter what type of theatre, having a flesh and blood person present the playwrights words is far more impacting than seeing something on a movieor TV screen. For me though, the joy will come watching the audiences who see BILL OF (W)RIGHTS because people will come out of the theatre talking about what they just saw. It will stick with them and hopefully make them come back for more.
For Fun:

Tuesday, August 22. 2006
Greetings! Madam Director here, with a brief progress report on Bill of (W)Rights! It’s been a hectic and exciting beginning to the next RTE experience. We have a wonderfully charged script to interpret and a cast from heaven. They are brave, flexible, intelligent, so much fun, and lest we forget, uber talented. We are having a great time exploring these pieces to their fullest. Our crew is committed, creative and generally outstanding on all fronts. My first time behind the RTE helm has been a toss into the deep end, but educational, invigorating and really a blast! The art we create is stimulating and heated and the amount of laughter during rehearsals, certainly had made more than a few of us question how sick we really are. Much like the spirit of this play, the rehearsals have been based a lot on spontaneous reactions to what the cast has been doing. Their brilliant choices lead to a myriad of different exercises intended to further draw out the fundamental objectives of these characters and to give the actors the same sort of initial discomfort that leads to discussions and discoveries that we hope the audience will feel when seeing the final product. We’ve done exercises from handing an object to another actor every time they place blame on someone else to interrogating the actors in the middle of the scene on who they are, what they want, and how they feel at that moment, to making a tic mark on a white board each time a statement supports the right to privacy or to public disclosure. The process is going swimmingly and in the spirit of “Big Brother” here are a few of the types of out of context “conversations” we are having throughout the rehearsals as we come up to the 2 weeks before opening mark. I need you to lick her face slower and more menacing. Can we warn them about getting naked today? More disgusting. Yes, these are Balsamic vignettes. More upbeat. Yeah, and molest her more while you are at it. Grab her boob with your left hand. Please. I don’t know why I said please. Director: Okay think about the worst thing anyone has ever said or done to you, don’t tell me, just do that scene as if you are reacting to that. Actor: Uh, I try to forget those things actually.
Monday, July 10. 2006
Over the past two months, 33 people have been busy working to make Matt Casarino’s vision of the world, where zombies roam the earth to have sex with you, into a reality. Now, we are just 5 days away from opening night of the World Premiere of THE PORNOZOMBIES! If you haven’t heard of the show yet, then, clearly, we are not doing our jobs, but for those that have been living under a rock, THE PORNOZOMBIES tells the tall of a scientist, the quirky Dr. Hadfield, that learns how to reanimate the dead and wipe their societal guilt away so that they engage in free love. When the hard-nosed Detective Karla witnesses a porno tape that details the zombie sex, she makes it her mission in life to bring Hadfield to justice. Very much in the B-movie genre, this campy, political satire pokes fun at our modern society’s fascination with violence and repulsion by all things sexual. It also skewers our government along the way.
We have been very fortunate to have such a talented group of people working on this show. Everyone jumped in with the vision of a 50’s Pleasantville like reality that is impacted by cheesy 70’s PornoZombies. Our set design, by Jim Gross, really conveys the skewed reality with a hint of menace behind it and Dave Guilmette has done a great job of building it and bringing it to life. The team of Derek Batoyon and Glenn Wilson has done an amazing job with sound. Derek has once again composed music for an RTE show and he has successfully demonstrated his ability to create a porno soundtrack. He can now become the John Williams of the porno industry. Glenn has accentuated each scene with the right amount of environmental ambience. Sohail Najafi, our Light Designer, is pulling the world together with his lights. We also have another dynamic duo working on costumes and makeup, Jenny Jigour and Goldie Beaver. Their toughest challenge has been to make actors into naked zombies in a mere 9 page timeframe. A very, very difficult challenge for which Matt has already apologized. Cameron once again wears many hats and, in addition to being the Production Manager and Stage Manager, she is the Prop Designer. Let me just say that her bouquet that is brought on the second act is absolutely hilarious.
Joining this merry band of insanity is the largest cast I have ever directed, 15 people. It has been such fun to work with these people and witness the risks they take in bringing this show to life. From nearly nude rehearsals to long hours of sitting around, everyone has been tremendously gracious and really worked together as a team. I always love watching actors connect and feed their performance of the energy of their partner. This group has always been willing to take risks in scenes and push their comfort levels. We have some regular RTE Members in the cast including Vangie Maynard, Peter Canavese, Brian Murphy, Iris Benson, and Christy Duncan Anderson. Also, not sure people may remember this, but Michael Jerome West plays Dr. Hadfield and for 19 years was the stand-up comedian Tree. It is such a blast to work with him as I saw him several times about 15 years ago. He truly rounds out a very talented cast.
So, like it or not, here they come. THE PORNOZOMBIES may prove offensive to some, but not really because of the porn or zombies. Those elements are not as scandalous as they would sound. Rather, it is the political messages about censorship and government interference that may irk some, but I think everyone should give zombie sex a try. The show previews this Thursday with a Pay-What-You-Can performance and then runs from the 14th through the 29th. See you at the theatre!
From RTE:
The PornoZombies will walk the Earth starting this Friday!!! Get your tickets now at www.renegadetheatre.com/tickets!
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Comments
Thu, 24.08.2006 11:10
How many licks does it take to
get to the center of a blow
pop?
Susannah about Porno Fact #4
Thu, 11.05.2006 15:50
but consequently the cinematic
quality declined as the
production quantity [...]
Susannah about Zombie Fact #4
Thu, 11.05.2006 15:47
No unlike RTE members...
mmmmmmmmmmmmmmmmmmm. ( that
was my zombie noise)
Susannah about Kid Tested, Parent Approved
Wed, 02.11.2005 15:40
I had the funniest dream last
night about BFG. I'n not sure
of all the [...]
susannah about The Value of Theatre
Thu, 27.10.2005 22:49
Guys, I have all the answers.
Seriously. Lets meet in the
next few weeks. [...]